7 Professional Secrets To Help Make Your Garden Special

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7 Professional Secrets To Help Make Your Garden Special
7 Professional Secrets To Help Make Your Garden Special

Video: 7 Professional Secrets To Help Make Your Garden Special

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The gardens, designed by professional designers, are impressive at first sight. They seem to breathe harmony, and their creators seem to be almost magicians who own secrets and secrets. But in fact, the basics of gardening art are not at all so unattainable for simple gardeners and summer residents. Indeed, harmonious, colorful and individual projects are based on fairly simple principles. And in order to put them into practice, it is enough to take the time to assess and plan and not be afraid of bold decisions.

Landscape design
Landscape design

Selected Tricks for a Simple, Beautiful Garden

Putting professional techniques into practice is not such a difficult task. And no matter how confusing the principles of landscape design may seem, it is enough to try them once in practice - and you will see that in fact they are based on the simplest logic and elementary laws of building compositions. And they do not contain any information "for the elite". And in order not to make mistakes, not to get confused and never to lose the "thread", do not forget about the main rules:

  • always, in any circumstances, even when choosing a specific plant variety, do not forget about the general concept - the theme, style, motives of the arrangement, the mood that you want to create in the garden and, of course, the budget;
  • do not be afraid to plan and evaluate again, draw sketches, write down ideas, compare and "estimate" on the ground, take photos to always be confident in your actions;
  • always move from the general - form, style, colors, etc. - to the particular - specific plants and their varieties, and not vice versa (subordinate all your actions to a single idea);
  • never forget to evaluate compositions and objects in the garden for practicality - required care, durability, durability; aesthetics is very important, but it is even more important to create a garden that you can admire, according to your rhythm of life and your possibilities.

If it seems to you that your garden lacks professional gloss, completeness and integrity, evaluate it according to 7 main professional criteria - the very "tricks" and "secrets" that make the project harmonious and attractive. Applying them in practice when remodeling old and breaking down new objects, you can give your site a completely new image and the very zest that will crown the design and connect all the elements.

When planning a garden design, first of all, decide on the shape that underlies the entire arrangement
When planning a garden design, first of all, decide on the shape that underlies the entire arrangement

Secret 1. Form loves certainty

Form is not just one of the terms in the language of professionals and a general designation of contours. This is the most important tool that can both make the garden unique and literally destroy the project. After all, it is the basic ratio of forms that determines the harmony of perception of both individual compositions and the site as a whole. And if you want your garden to look "professional", decide on the shape that underlies the entire arrangement. And never back down from it. Using the chosen form in the arrangement of paths and grounds, and in flower beds, and in flower beds, and in "little things", you will take the main step towards the integral appearance of the garden. It is the form and its constancy that lie at the heart of garden harmony.

But do not be alarmed: it is more about the motive, and not a specific figure at the heart of the compositions and objects. The choice of the shape does not mean at all that if you have a long rectangular path, then all flower beds must exactly repeat the aspect ratio. You just need to choose from two concepts and their basic elements:

  1. smooth lines, or fluid form, which can be represented by bends, winding lines, smooth transitions (such forms look at ease, natural);
  2. straight lines, or a geometric shape, which provides for straight paths and the use of a square, circle, oval or rectangle as the basic "figure" in the design (in this case, geometric motifs can be mixed or not with each other). Classic straight lines and strict geometry make the garden look solemn, ceremonial and somewhat austere.

Those who equip a new garden start from scratch, it's easier: they can make a choice at their own discretion. If you want to improve an existing garden, then you need to decide on the dominant form:

  • assess whether natural or geometric motifs dominate your garden and choose a "leader";
  • change objects that do not correspond to the central motive, give them naturalness or severity with a new border, accent, etc.

Within the framework of the chosen central motive with a specific form, you can play, as well as "connect" volume, splendor, scale, texture for greater expressiveness.

If you do not adhere to the chosen form in the design, then the integrity of the garden cannot be achieved. The only exceptions are separate, structurally and visually completely separate areas, in which special objects are broken - for example, a heather garden or a meditation corner.

Functional areas in the garden must be separated from one another, denoting the transition
Functional areas in the garden must be separated from one another, denoting the transition

Secret number 2. Mandatory zoning

A separate area in the garden is not just a favorite corner set aside as special. It is a vital element, a functional unit of garden furnishings that defines the whole design. Zoning is necessary for every garden, it should be definitely at the stage of project development or compensated in the future. At the same time, the zones are distinguished not according to the principle of designating especially important or favorite places. Zoning provides for the division of the entire territory of the site into territories of different size, which are functionally, and in their use, and in design are allocated in a separate part.

So, a part of the garden is allocated into a separate zone, in which there is a reservoir, a vegetable garden, an orchard, an area near the house and a terrace, an area with main flower beds, a rock garden or a corner for rest, a large lawn. And if desired, they separately equip a thematic walking area, a series of flower beds, a rose garden or iridarium, etc.

Functional areas in the garden must be separated from one another, indicating transitions. There are options for arrangement, when each zone is decorated in a separate style, separated from the rest of the garden. But this approach is rather an exception. Different zones in the majority of projects are divided by conventional boundaries that only indicate the transition - a small hedge, a curb, a line on a lawn, an arch with a vine, decorative elements or objects of small architecture, ridges and potted gardens, leaving gaps and gaps without losing the connection between individual parts garden. You can completely limit yourself to only changing the shape of the area or paving material (for example, the color of the lawn grass, the transition from a mowed lawn to a clearing of ground cover, a combination of a paved area and gravel or lawn, etc.).

When choosing an option for finishing paths and platforms, creating borders or decorating ponds and rock gardens, you should dwell on materials common with the house
When choosing an option for finishing paths and platforms, creating borders or decorating ponds and rock gardens, you should dwell on materials common with the house

Secret number 3. The unity of buildings and plants

In order for the garden to be perceived as a harmonious, complete and expressive project, it is necessary to achieve balance in it not only in a specific structure and each composition, but also to create a sense of unity, a community between all architectural elements and landscaping. First of all, you need to connect the house and the garden.

To achieve a sense of harmony, it is enough to add the main characteristics of the house - the materials used in its construction and the main lines that determine the style of construction - to the very "points" that you need to be guided by when making any decision. When choosing the option of finishing paths and platforms, creating borders or decorating reservoirs and rock gardens, it is worth stopping at the materials common with the house.

But unity cannot be achieved only by searching for identical types of stone or choosing a tree. The garden and the house are also "connected" with the help of plants, paying attention not only to creating beautiful flower beds and using large trees and shrubs in the garden as a "counterweight" to the house, but also decorating the facade itself. And the options for such a green decor are countless:

  • using vines for upholstery around the house;
  • installation of a support for a flowering liana at the entrance to the house;
  • using green guards at the door and setting up a potted garden around the house;
  • decoration of ridges and ribbon borders, narrow flower beds with tall plants along the walls of buildings and on "residual" soil strips;
  • breakdown of lush compositions by the terrace;
  • decoration of window sills, verandas and balconies, etc.
The more places you can place, the better
The more places you can place, the better

Secret number 4. The main thing is a comfortable stay

Any designer will say that an attractive garden is, first of all, one where you can relax in comfort and enjoy communion with nature. Today it is almost impossible to imagine a single country house without a terrace. But the recreational functions of the garden are not at all limited to the cozy patio adjacent to the building. Resting places are the main, most important objects on any site. After all, they not only provide an opportunity to relax, admire the lovingly created relief and appreciate the fruits of their efforts. They make the garden complete, individual and attractive. And it is yours. After all, it is through the resting corners that the personal tastes and preferences of the owners of the site are revealed.

There is no surplus of places to relax in gardens. The more places you can fit, the better. In addition to the terrace, even in the smallest garden it is necessary to make at least one "taken out" corner for relaxation. And since they are very different, there is always a suitable design option. After all, attaching a small wooden bench by a hedge, sheltering a small seat under an arch entwined with a rose, or installing a few chairs at the end of a path is as easy as shelling pears. And this is not to mention the large recreation areas under the family tree, in the middle of the lawn, by the pond, drowned in flower beds, refectory with barbecues, gazebos, pavilions where there is something to turn around.

The main thing is to protect such a recreation area from prying eyes, choose furniture, plants for potted accents and accessories. And don't forget about additional protection. After all, a good rest is possible only where there is an atmosphere of detachment from the world, comfort and security. And you can use different means for this - short trimmed hedges, screens and screens, portable vines on trellises, a flower bed. In addition to the protective function, such a “fence” for a resting corner should also perform other functions - to create a colorful panorama, to give a feeling of “drowning” in flowers and aromas.

The most boring gardens are those that can be covered with just one glance
The most boring gardens are those that can be covered with just one glance

Secret number 5. Surprise effect

Only the garden is perceived as interesting, unique, original, which you never tire of opening and examining. One of the main features by which you can accurately identify high-quality professional projects is the aura of mystery, mystery, seclusion, that special atmosphere that does not allow interest to fade away from day to day. Making the garden mysterious is not so difficult - all that is needed is to make the most interesting secret, hidden from prying eyes.

The most boring gardens are those that can be captured with just one glance. There should be at least one “secret” even in the simplest in structure and modest in size garden. A sitting corner, a bench immersed in a hedge, a cozy gazebo, a small chaise longue by your favorite pond, a beautiful garden sculpture, an outlandish plant, a pharmacy garden or a decorative vegetable garden - any object in the garden can be used as a "secret". They should appear suddenly, unexpectedly, hiding behind lush plants until the path turns or you find yourself in another part of the site while walking. These are the “hidden treasures” that make your garden attractive and fun.

To hide a secret cozy corner from prying eyes, you can use a hedge, twisting a liana or a lush rabatka with tall perennials and shrubs, and sometimes a potted garden. The main thing is to arrange the plants in front of the object so that it is not visible what is hidden behind them. And even if you walk around the garden every day, you will never get tired of discovering such hidden objects. They give a feeling of novelty, multi-layered design, attractiveness and mystery, in addition to colors and comfort they fill the areas with a premonition of discoveries.

Moving according to the principle "from tree to crumb", you will not make mistakes even when decorating a ribbon border
Moving according to the principle "from tree to crumb", you will not make mistakes even when decorating a ribbon border

Secret number 6. Don't get stuck in the little things

The main problem with "amateur" gardens is the lack of an orderly choice of plants. Every gardener has more than once had the opportunity to buy seedlings or cuttings of perennials "falling in love at first sight" or be tempted by a new variety. And there will certainly be a place for a colorful novelty in the garden … This approach is the first mistake - you need to choose not a place for plants, but plants for a specific place.

The general concept, purpose, design motive, the chosen image and the desired look should always come first. And plants should be seen as a tool to achieve a higher goal, and not as a main source of inspiration. Often, even when breaking down a simple flower garden, they start with a plant, choosing their favorites, the most colorful, they like. But if you want your flower bed to look professional and holistic, you need not get confused in the little things, but think over the concept of the flower garden, and only then find the ideal plants for it. The goal is above the means of achieving it, and the general idea is more important than specific tools.

Always, under any circumstances and in any decorative composition, consistently think over and plant in turn:

  • woody plants;
  • tall shrubs;
  • small shrubs;
  • large herbaceous perennials;
  • herbaceous perennials of medium and small size;
  • ground covers;
  • seasonal accents and miniature stars.

Moving according to the principle "from tree to crumb", you will not make mistakes even when decorating a ribbon border. Plants that are not used in a particular composition are simply skipped and move on to the next step.

The regularity of such work in sequence is especially clearly manifested when laying out new gardens: first, places are placed for tall trees, then for solo tall bushes and groups of trees and shrubs. Then - they mark the contours of the flower beds, and only then fill all the compositions with plants. And even in the process of planting carpet mixborders, they always move from large to small, from miniature shrubs to ground covers and summer houses.

Do not think that this approach leaves no room for your favorite spontaneous purchases or new discoveries. Simple and they should be appropriate: leave room for a special "experimental" flower garden or allocate one bed on which you will try new species. Flower beds for summer gardens and flower beds-islands, which are populated by summer houses every season, are perfect as a universal platform: several perennials can always be planted on them.

The area of ​​flat areas, lawns and other horizontal elements should be approximately equal to volumetric compositions, vertical elements
The area of ​​flat areas, lawns and other horizontal elements should be approximately equal to volumetric compositions, vertical elements

Secret number 7. Wealth of vertical structure

Despite the fact that the central attention in the design of the garden is always paid to the area and its division - zoning, placement of flower beds, paths, lawns, etc. - another plane, difficult for direct assessment, is also more than important. The vertical structure of the garden determines the spatial depth, harmony, the interaction of elements, the balance between buildings and lush flower beds, transforms a flat relief into an expressive landscape. And it is playing at different altitudes that is the most elusive of landscape skills.

The choice of garden plants is varied, including height. Low ground cover and lawn grasses that literally weave green or flowering carpets, perennials, annuals of various sizes, shrubs and woody from "mini" to "maxi", vines that can drape surfaces to a height of many meters - all these are tools that can add depth to any design … And playing with the height of plants is one of the most interesting garden shows. But the game also includes garden terracing, supporting walls, and various options for alpine slides, pedestals, plinths. The relief of the garden does not have to be boring, flat and banal, and even flawless smooth lawns should be emphasized by lush and high surroundings.

Finding the right balance of contours and verticals is not easy, but possible. The universal rule of the "golden mean" says that the main thing is balance. The area of ​​flat areas, lawns and other horizontal elements should be approximately equal to volumetric compositions, vertical elements. And in each composition, in each zone of the garden, one should strive for the same principle - to provide for any “plane” its own vertical “counterweight”. The nature of the transition between low and high elements can be chosen according to the motives and forms that dominate the garden, make them smooth and natural or contrasting. After all, you can use plants of different height in different ways.

Smooth transitions from a low foreground to a high background, visual peaks in lush compositions, equally high ridges and hedges, or cardiogram-like "cuts", soft "waves" or contrasts of giants and dwarfs, placing bright "points" giant soloists - everyone can find favorite motive. But the harmony of the vertical structure cannot be violated.

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